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Josiah Steinbrick - "02 (Two Bonangs, Coated Spheres, Piano, Two Synthesizers, Natural Objects)" (Unofficial)

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    Jules Guerin
I'm a director with a background in motion design, 2D and animation, cel animation and visual effects. I love experimenting with various techniques. I have been freelancing in the motion design and animation industry since 2005. My work has been featured in Vimeo Staff Picks, Motionographer, Booooooom and premiered on Rolling Stone, Pitchfork, Tiny Mixtapes, Self-Titled Magazine. I've done music videos for renown artists such as Jim Jarmusch, Jozef Van Wissem, Kaitlyn Aurelia Smith, Kemialliset Ystavat etc... As an animator and director I also had the opportunity to work for Greenpeace, Nickelodeon, Fox etc... I'm always enthusiast to collaborate with talented people so feel free to contact me if you have a project in mind, or simply if you want to say hello.
"02 (Two Bonangs, Coated Spheres, Piano, Two Synthesizers, Natural Objects)" (Music Video) from the album MEETING OF WATERS released october 27th 2017 on Leaving Records

Calm atmosphere and headphones recommended.

BANDCAMP: https://leavingrecords.bandcamp.com/album/meeting-of-waters
LIMITED VINYL EDITION: https://meetingofwaters.bandcamp.com/releases
INSTAGRAM: https://www.instagram.com/josiahsteinbrick/
http://leavingrecords.com/

Following the debut release of his minimal-music ensemble BANANA earlier this year, Josiah Steinbrick, the Los Angeles-based multi-instrumentalist, producer, and composer returns with his first collection of solo works titled Meeting Of Waters, available October 27th on LEAVING Records. The album shares some of that ensemble’s concerns, notably in its interest in pattern based music, but here the emphasis is placed on subtle explorations of percussive tones and creating interior or imagined worlds.

The works on Meeting of Waters stem from Steinbrick’s childhood fascination with anthropology and travel tales and almost operates like a cartography of some indeterminate landscape. Each piece has a palette of one to five elements that work in harmony together — with synthesizers, marimbaphones, tuned wood, idiophones, bells, and gongs providing resonant tones that slowly accrete in detail. There’s a measured yet thoroughly engaging pace throughout, that, much like Malaysian Temiar Dream Music, seems to “interpret the heart of reality”.

As in the work of David Toop, Toshi Tsuchitori, Walter Maioli, or Luis Pérez Ixoneztli (whom Steinbrick recently collaborated with), the pre-historic and hyper-modern are effortlessly intertwined. If – as famed French Structural Anthropologist Claude Lévi-Strauss believed – myths, music, and dreams are “machines for the suppression of time”, then “Meeting of Waters” features nine ingeniously and exquisitely crafted examples of that theory in action. - Michael Klausman
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Experimental / Art

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